When I visualize cherubs, even though I don’t much believe in these mythic beings, I still imagine Michelangelo’s renderings. So much of our religious imagery is taken from Renaissance art. The great artists of those days still continue to provide us with many of our visual religious images. This is ironic given that Michelangelo for example mistakenly carved horns for Moses rather than the Torah’s “rays of light.” And despite our tradition’s insistence otherwise, we continue to imagine Eve handing Adam an apple. Judaism suggests the fruit was a pomegranate, fig or etrog. So why do we depend on Renaissance artists when these angelic cherubs are described in our very own Torah? In this week’s portion, we read of the details of the ancient tabernacle and the cherubs that adorned it. “You shall make a cover (kapporet) of pure gold, two and a half cubits long and a cubit and a half wide. Make two cherubim (keruvim) of gold—make them of hammered work—at the two ends of the cove
"From the place where we are right flowers will never grow in the spring." Yehuda Amichai